Dabbling with… what?
Let me back up.
I recently completed the Tisserand Institute’s Essential Oil Safety Masterclass and Essential Oils for Healthy Skin courses taught by Robert “The Man” Tisserand, author of the quintessential text Essential Oil Safety: A Guide for Health Care Professionals. If you’re interested in a thorough immersion into the world of volatile oil phytochemistry, I can’t recommend these classes (or really, anything taught by Robert) highly enough.
During a lesson on trauma, wounds and repair, Robert mentioned that dragon’s blood resin may be used in skincare formulations at 3% to improve skin elasticity. He was referencing a small in vivo study entitled “Improvement of skin condition in striae distensae: Development, characterization and clinical efficacy of a cosmetic product containing Punica granatum seed oil and Croton lechleri resin extract.” in which an oil-in-water cream containing 3% dragon’s blood resin extract from Croton lecheri and 4% pomegranate seed oil significantly improved dermis (skin) thickness, hydration and elasticity values in the skin of 20 volunteers.
This got my attention. I’d seen the provocatively named dragon’s blood resin sold on the Mountain Rose Herbs and Starwest Botanicals, but had never thought much about how it might be used in skincare, since it seemed primarily to be a resin used for incense and spiritual rituals.
I’m so happy Robert inspired me to look into it further!
Dragon’s blood is a plant resin that has been used for various purposes — including skincare — for centuries. The study Robert cited used dragon’s blood resin from Croton lecheri, however, the variety of resin you’re going to find sold most often is from Daemonorops draco.
A quick history
Dragon’s blood resin was used in Traditional Chinese Medicine (TCM) as far back as the Han Dynasty (206 BCE – 220 CE). It was employed for its medicinal properties, including wound healing, as an astringent, and to treat various ailments.
It’s been found in the archaeological remains of ancient Egyptian cosmetics. It was used to create red pigments for makeup and adornment.
In Ayurvedic medicine, dragon’s blood was used for its astringent and anti-inflammatory properties. Ancient texts like the Charaka Samhita mention its use in various formulations.
Greek and Roman scholars and physicians, including Dioscorides and Pliny the Elder, documented the use of dragon’s blood as a medicinal substance. They believed it had healing properties and used it to treat wounds, diarrhea, and other health issues.
Indigenous tribes in Africa, particularly in regions where dragon’s blood trees grow, have a long history of using the resin for various purposes, including wound healing, as a dye, and in traditional rituals.
The ancient Mayan and Aztec civilizations of Central America used dragon’s blood resin as incense in religious ceremonies. It was also used as a pigment for painting and pottery.
Will the real dragonʹs blood please stand up?
As I quickly discovered, researching the properties and uses for dragon’s blood can be pretty darn confusing, since a crimson resin bearing the name “dragon’s blood” is harvested from not one, not two but a whole group of completely unrelated plants spanning several generas.
Sources of dragon’s blood include Dracaena cinnabari of the island of Socotra in the Republic of Yemen; Calamus draco from Thailand; Dracaena draco from the Canary Islands; Pterocarpus spp. from Mexico, Central and South America; Croton draco from Mexico; Croton lechleri from Peru and Ecuador; and Daemonorops draco, native to Southeast Asia.
Fortunately, there’s a fair amount of overlap in the constituents and, hence, medicinal properties of these different resins…
Resin from Daemonorops draco and other related plants possess a number of common constituents which contribute to its healing properties. While the exact chemical composition will vary depending on the species and environmental conditions, some of the key compounds found in various species of dragon’s blood resin include:
Dragonʹs blood in skincare
Dragon’s blood has quite a lot to contribute to the world of skincare formulations!
An oleogel preparation could harness dragon’s blood’s anti-inflammatory compounds to help to reduce redness, swelling and irritation associated with skin conditions such as eczema, psoriasis, rosacea and rashes.
Thanks to its natural antiseptic and wound-healing properties, a salve incorporating dragon’s blood resin could be used topically to help treat minor cuts, abrasions and insect bites. The resin forms a protective barrier that can aid in the healing process.
For acne sufferers, dragon’s blood’s antimicrobial properties might be useful incorporated into a clay-based facial mask to help prevent the growth of acne-causing bacteria and soothe inflamed skin.
The resin’s antioxidant qualities may help protect the skin from environmental stressors like pollution and UV radiation. It has been studied as an adjunct to sunscreen to provide an extra layer of protection.
Skincare products including dragon’s blood may stimulate collagen production, which, of course, is essential for maintaining skin elasticity and reducing the appearance of fine lines and wrinkles. Skincare products containing dragon’s blood are said to have skin-brightening effects, as well as the ability to improve uneven skin tone and hyperpigmentation, which is certainly plausible given its cell proliferation actions.
Naturally, I infused my dragon’s blood resin in tallow. (Refer to Making Herbal Oil Infusions for a refresher on ways to do a hot oil maceration.)
I have big plans to include my dragon blood-tallow in a future variation of my Healthy Aging serum and possibly in an oleogel facial mask.
And maybe in a concentrated wound salve in conjunction with other tissue granulating herbs…
I’m also very curious about dragon blood’s potential as a natural lip colorant. While admiring the lovely rosy-brown color of my tallow + dragon’s blood infusion, it hit me that it was very close to the same color as my favorite lipstick…
The oil-soluble resin has been used for centuries as a natural textile dye, a red varnish for wooden furniture and lacquer for 18th century Italian violins as well as an ink for use in art and calligraphy. It’s staining power is well documented.
Why not use a more concentrated version on lips?